“I got bored of being a run of the mill talking
comedian, so I decided to tape my mouth shut.”
Stand up comedy
usually involves people telling it like it is, but you won’t get a thing out of
Sam Wills.
Wills began his career as a circus act and comedy performer in his native New Zealand. Having collected numerous awards and becoming a well known name on the NZ comedy circuit, he left for London in 2008. Better know as ‘The Boy with tape on his face’, Wills was
catapulted from a position of relative ‘Fringe’ obscurity to TV fame when he
appeared on this year’s principal BBC Comedy Prom at London’s Royal Albert
Hall.
Shortly before he plays his first Nottingham gig at The Glee Club, David Cornish quizzes The Boy about comedy, life and tape.
Do you enjoy living and working in London?
There are more shows to be done over here and you can access the rest of the world pretty easily compared to New Zealand.
What drew you to a career in mime and circus
performing?
When I was little I was given a magic set as a present. Through learning the various tricks I was introduced to a clown, who in turn pointed me in the direction of a circus school. It was there that I discovered an alternative sideshow that opened up the doors of stand-up comedy.
When I was little I was given a magic set as a present. Through learning the various tricks I was introduced to a clown, who in turn pointed me in the direction of a circus school. It was there that I discovered an alternative sideshow that opened up the doors of stand-up comedy.
When putting together routines for 'The Boy
with Tape on His Face', what inspirations do you draw on?
I listen to a lot of music and sometimes an idea will just spark. Sometimes I get my inspiration from walking around small hardware shops.
I listen to a lot of music and sometimes an idea will just spark. Sometimes I get my inspiration from walking around small hardware shops.
Do you think that circus acts and street
performers are a dying breed? How much life is there in the industry?
Far from it! Circus schools all over the world are pumping out many highly
skilled performers. Many of them don't end up working in circuses, so they develop
street performing acts instead.
What's the hardest aspect of your job?
Most people think that I spend all my time onstage having fun. In reality, I’m usually at my computer working out a routine and digging through different notes that I’ve taken. I like to use lists...many, many lists. I would say the hours that I put into developing a show is the real killer, and the fact that I find it hard to shut my brain down. I can’t not think about show stuff.
Most people think that I spend all my time onstage having fun. In reality, I’m usually at my computer working out a routine and digging through different notes that I’ve taken. I like to use lists...many, many lists. I would say the hours that I put into developing a show is the real killer, and the fact that I find it hard to shut my brain down. I can’t not think about show stuff.
Do you find it hard to get gigs as a 'comedy
mime act'?
Far from it. The biggest problem I have at the moment is trying to find when I can get some time off. I’m thinking 2015…
Far from it. The biggest problem I have at the moment is trying to find when I can get some time off. I’m thinking 2015…
Tell me about the worst day in your career?
That would have to have been the very first day that I decided that I wanted to be a professional entertainer. I made the decision, opened my diary and realised I had nothing booked. Curses.
That would have to have been the very first day that I decided that I wanted to be a professional entertainer. I made the decision, opened my diary and realised I had nothing booked. Curses.
And the best day?
I’m still waiting for it to happen. Then I’ll stop.
I’m still waiting for it to happen. Then I’ll stop.
What's your dream?
To wake up.
To wake up.
If you weren't in this line of work, what do
you think you'd be doing?
I’d be running a bookshop that sells good coffee.
I’d be running a bookshop that sells good coffee.

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